Shirley Venard: The Railroad Lady, Kumiko, the Treasure Hunter

Episode #36 - Shirley Venard is an incredible Minneapolis-based actress who uses her life experiences to embody a character. She’s kind, thoughtful, and a teacher. She loves to tell stories which is why we love her.

Shirley brought Oscar-winning short movie The Railroad Lady (La Femme et la TGV). The first tale of a lonely woman in this pairing. Shirley looked at the great actresses of the 1900’s to find her short and her and Justin talk of Jane’s fake orgasm that made her famous.

The feature Shirley chose is the Zellner Brother’s Kumiko, the Treasure Hunter. The Japanese, Texas made movie that was largely shot in Minnesota. It was a Sundance Film Festival favorite, making Minnesota & Japan look beautiful on the silver screen.

See Shirley Venard’s work in our short movie Prologue. In the forecast to look forward to please check out the award-winning series Marcellus Hall an Artist in New York City which is playing around the world in 2022.

Shirley Venard at the Question & Answer with host Justin Joseph Hall

Credits:

Host - Justin Joseph Hall

Editor - Billie Joe Laitenin

Sound Mixer - Brian Trahan

Sound Mixing Assistant - Hans Bilger

Lead Marketing Agent - Isabel Restrepo

Event Space - The Woman’s Club in Minneapolis

Photographers - Dakota & Dorie Hall

The theme song of Season 6 is Getting It Done by Kevin MacLeod.

Shonali Bhowmik: The Hike, Valley Girl

Episode #11 - Nashville native Shonali Bhowmik graces us with her humor and interesting stories as the appointed contributor. As an Actress, Director and Producer, she’s one of the most charismatic people you will ever meet and is always working on various artistic endeavors. She’s incredibly thoughtful. She also has an incredible network of friends and collaborators that surround her at all times. 

She’s a frequent collaborator with us for the live podcast she hosts with Christian Felix called We Don’t Even Know, and is the director, lead actor, writer and producer of Sardines Out of a Can, a short movie Fourwind helped create before Fourwind was even a company. 

Shonali is also well known in the internet comedy world for the group Variety SHAC which began as a comedic quartet consisting of Shonali, Heather Lawless, Andrea Rosen, and Chelsea Peretti. Our screening took place in Bushwick at Fourwind Films’ headquarters where for her short picture, Shonali presented the SHAC’s latest release, The Hike (2018), which explores the SHAC members meeting up to go on a hike after not seeing each other in a while. During the discussion Shonali celebrates women in film, and sheds light on Variety SHAC’s influences on various comedians in the industry.

For the feature, Shonali presented the Martha Coolidge film Valley Girl (1983). She discusses the casting process for the film that lead to Nicolas Cage playing the lead male. During the film, we had American food which included hot dogs, corn dogs, sushi with peanut butter, and we topped it all off with some prom punch. The episode is a laugh riot and full of references to movie inspired snacks.

Episode hosted by Justin Joseph Hall.

Shonali Bhowmik - Actress/Director/Producer

Shonali Bhowmik - Actress/Director/Producer

Credits:

Host - Justin Joseph Hall

Location & Production Company - Fourwind Films

Soundtrack - Salitros Ridin’ Rainbow

Transcript:

00;00;07;25 - 00;01;02;28

Justin Joseph Hall:

Welcome to Season 3 of Feature & a short, where an appointed contributor presents their chosen feature motion picture and a short movie. There's only one condition for the screening, presenter must have been directly involved with one picture, but not the other. This is Justin Joseph Hall, owner of Fourwind Films. 

To kick the season off, our presenter is Shonali Bhowmik, someone who Fourwind Films works with a lot, specifically on the other podcast that we're involved with called We Don’t Even Know that we also have done monthly and for a much longer time. Listeners here, if you guys enjoy this, you should definitely check that out. 

On top of that, before Fourwind was a company, Shonali created a movie that she happily let us be a part of called Sardines Out Of A Can. So we were overjoyed to have her here to talk about some of her other amazing accomplishments, including Variety SHAC for her short picture. And so she decided to present The Hike.

00;01;03;01 - 00;01;38;00

Shonali Bhowmik:

You guys, this is a short film by my comedy group. The SHAC is Shonali, Heather, Andrea, Chelsea. Shonali Bhowmik, Heather Lawless, Andrea Rosen, Chelsea Peretti. The three of them are amazing stand-ups and talents in their own right. Together, we are Variety SHAC. I mean a few years after I moved to New York City, I remember noticing that they always would have one-woman show which is actually good by today's standards even. But I noticed there wasn't a gathering where women were leading the evening, and we used to actually just dance together at the end of the night. It started as a dance group, actually.

00;01;38;00 - 00;01;40;00

Audience:

(laughter)

00;01;38;00 - 00;02;15;26

Shonali Bhowmik:

And then, we just started to make short films. 

In the New York City comedy scene, we did really well. We won like a Village Voice award, we were in Time Out and we eventually got some TV pilots. But they live in California, in L.A. I live here. So this past November, after like 5 or 6 years of not making shorts, we got together because we realized we missed each other and still to this day, we don't feel like anyone's making what we made. And um, um, but the main reason I'm sharing this film is because I want to encourage everyone to, to make films on your own.  And this was like very DIY,

00;02;15;26 - 00;03;00;00

Shonali Bhowmik:

we got friends to shoot, friends to edit. Um, another thing that I think is important about this group and it needs to be made clear, these are four women that have now been doing comedy and music and film for a long time. But I think one of the biggest and most important things about sharing our work is that we still keep continuously honoring men and their talent, and there is no part of me that believes there weren't amazing women throughout history that were also leaders in all of these movements of art, and we need to start celebrating these women. So I'm celebrating even though I'm, I'm a member, I'm going to celebrate Variety SHAC with you guys. That's a big reason why I wanted to bring this to you. Yeah. Go ladies!

00;03;00;00 - 00;03;02;00

Audience:

(claps and cheers)

00;03;03;05 - 00;03;08;00

Justin Joseph Hall (as narrator):

After watching The Hike, which easily got the most laughs of any showing

00;03;08;00 - 00;03;11;00

Audience:

(laughter)

00;03;09;00 - 00;03;13;29

Justin Joseph Hall (as narrator):

that we've had here on Feature & a short, we had a quick discussion about it.

00;03;14;04 - 00;03;19;00

Shonali Bhowmik:

This only took, really only took an hour and a half.

00;03;20;00

Audience:

Wow. 

00;03;20;00 - 00;03;26;00

Shonali Bhowmik:

To me, that's what's crazy is just like the headspace of like, oh, we're just going to go and get it done and whatever happens, happens.

00;03;27;00

Audience:

Yeah.

00;03;27;00 - 00;03;40;00

Shonali Bhowmik:

And that in a way, lack of pressure is why it's so fun, you know? You're not overthinking. We stop and we evaluate what we just did. And then we, we might do it over to get reaction shots or whatever, right?

00;03;40;00

Justin Joseph Hall:

Okay.

00;03;40;00 - 00;03;51;00

Shonali Bhowmik:

But there's a lot of jump cuts and, like, obvious, like, moments where Heather took off her jacket and, like, she has on a different ja- that’s like, who care- like, it's not about continuity and being perfect

00;03;51;00

Audience:

Yeah.

00;03;51;00 - 00;03;55;00

Shonali Bhowmik:

where the placement of, it's about having fun with your friends.

00;03;54;00

Audience:

Yeah.

00;03;56;00 - 00;04;00;00

Shonali Bhowmik:

The editing process is tough, but it's only, like most of our shorts were six minutes.

00;04;01;04 - 00;04;03;00

Audience:

Sorry, how did the four of you edit it together? 

00;04;03;00 - 00;05;19;00

Shonali Bhowmik:

So there's such a learning curve with this. When it first started, we all four would be in a room with an editor, and that was so intense to have four, five editors? Like, I can't believe now that the editors let us do that. Then, then, then we started getting one lead person from us to sit with the editor and that person would pick clips that were the best and then the other three would come in, and then finally it was each one of us would take turns, then we would write notes.  You know, and, and at the time we were making a short a month and we would share a new short at every one of our live shows at the UCB. 

So we were not just having a live show we had to prepare for, we were also doing this. I mean, that's a lot. We wouldn't even write a script, we would just do beats. But the thing that's so beautiful about working with them is we know each other so well, who precisely is not going to be comfortable, who's going to be angry, who's- it just happens. Even though we're all very uniquely different, we do come from the same place of silliness, absurdist, sort of take, and also like, real talk. So, that's what I'm so proud of, uh, the Variety SHAC for.

00;05;19;00 - 00;05;26;00

Maggie Adeleye:

Uh, you mentioned Fred Armisen and part of some of the like, like y’all’s deadpan and how that, it would like just drop really quickly, really reminded me of Portlandia (chuckles)

00;05;27;00

Shonali Bhowmik:

Yeah!

00;05;27;00

Audience:

So (laughs).

00;05;28;00

Shonali Bhowmik:

Yes!

00;05;28;00 - 00;05;29;00

Audience:

I really, I really liked that.

00;05;29;00 - 00;06;13;00

Shonali Bhowmik:

Thank you. And he, he literally uh texted me months ago and said, you know I'm binge- I'm binge-watching Variety SHAC videos this weekend and I realize how much your work is influenced Portlandia. And I'm like, yeah!  Um, and then Michael Luciano, he’s put this on Twitter recently. He's like, I just wish everyone could see this DVD.

He goes, I was a kid. I think he was a teenager at that time. And he said, I would go to their shows and they really taught me everything about how to make art and to do comedy shows. I started doing it with my friends and now he has an animated show on HBO called Animals. 

00;06;14;00

Shonali Bhowmik:

Paul…

00;06;14;00

Audience:

Paul Scheer?

00;06;15;00 - 00;06;16;00

Shonali Bhowmik:

Paul Scheer.

00;06;16;00

Audience:

Yeah.

00;06;16;26 - 00;06;25;00

Shonali Bhowmik:

So Paul Scheer, I just found an email from Paul Scheer, uh, trying to buy Variety SHAC V- DVD, VD, DVD

00;06;25;00

Audience:

Oh, really?

00;06;26;00 - 00;06;28;00

Shonali Bhowmik:

like, five times and I didn't see it.

00;06;28;00

Audience:

(laughter)

00;06;29;00 - 00;06;30;00

Audience:

Oh, really?

00;06;30;00 - 00;06;36;00

Shonali Bhowmik:

And I, he had to get his money back, I felt so bad. I haven't talked- I mean, this is years. Like, I just noticed this now.

00;06;35;00 - 00;06;36;00

Audience:

Oh, wow.

00;06;36;00 - 00;06;39;00

Shonali Bhowmik:

He tried to purchase it like five years ago.

00;06;39;00

Audience:

(laughter)

00;06;39;25 - 00;06;42;00

Shonali Bhowmik:

And I kept seeing, that's Paul Scheer! He’s trying to buy…

00;06;43;00

Justin Joseph Hall:

He really needs…

00;06;43;00

Shonali Bhowmik:

Variety-

00;06;43;00 - 00;06;44;00

Justin Joseph Hall:

He really needs the money back.

00;06;44;00 - 00;06;45;00

Shonali Bhowmik:

SHAC DVD.

00;06;45;00

Audience:

(laughter)

00;06;46;00 - 00;06;53;00

Shonali Bhowmik:

He got his money back, like they’ll instantly give it to you like, he never got it. But I was like, oh my god we're not even, not even able to, like, sell DVDs

00;06;52;00

Audience:

(laughter)

00;06;53;00 - 00;07;19;00

Shonali Bhowmik:

to like famous comedians and movie stars. But um there's only a few people today that, that will celebrate us to the world out like John Early, Kate Berlant, they always, they will say to the world, you guys are our influences. And, and the thing is we don't, you know, we just put it on YouTube and that's the beauty of social media. Like right away, it was like, oh my god, you're back! Thank God,

00;07;19;00

Audience:

(laughter)

00;07;19;00 - 00;07;44;25

Shonali Bhowmik:

this is my best day. This is my- the SHAC is back! You know, it was like, so beautiful to see this build of a fanbase that hasn't seen us do something new in five years, you know? That's the beauty of, of making films on your own, of being around good people that have good energy that want to make something.  It's, that’s what's beautiful about art. It’s so beautiful. Guys, I'm gonna cry.

00;07;44;28 - 00;07;49;25

Justin Joseph Hall (as narrator):

After, we got to watch Valley Girl, a romantic comedy from 1983.

00;07;49;29 - 00;07;57;00

Shonali Bhowmik:

I'm so excited to watch this with you guys. This is one of my favorite movies and if you don't like it, just don't tell me. Um,

00;07;57;00

Audience:

(laughter)

00;07;58;00 - 00;08;01;00

Shonali Bhowmik:

because I seem to only like people that like this movie.

00;08;01;00

Audience:

(laughter)

00;08;02;00 - 00;09;29;00

Shonali Bhowmik:

Um, this is done in 1983 and at the time Frank Zappa had just released his song with his daughter called Valley Girl. And this script came into the hands of this director, Martha Coolidge. So she is a female director who went to art school here in New York and this script was called Valley Girl and Frank Zappa did not want it to be produced without his approval, but it didn’t work out. Valley Girl got made. This movie also was the launching pad for Nicolas Cage’s career, and quick story about that because it's so cool, is that when she was casting this movie, she was like, I'm so tired of seeing all the pretty boys.

So she went to the rejection pile headshots. And side note is that Martha Coolidge had been for three years working with Francis Ford Coppola. Uh, he had a film production company called Zoe, Zoetrope, so she knew him well. She finds this one, it says Nic Cage, and she goes, we need somebody like this please, like just get him to come in. And so she says the minute she saw him, you know, she was like, oh my god, he's got to be it. When she asked him to be the lead of this movie, he said, no, I'm sorry, I can't do it, I'm doing this other film named Rumble Fish, I have this small part in this other film. And uh she, she was like, listen Nic, I'm going to make you a star.

00;09;30;03 - 00;09;55;00

You need to be the lead in my movie, I actually am friends with Francis Ford Coppola and I could call him. So she calls Francis Ford Coppola’s production company and she's saying, do you know that you have this guy, Nic Cage? I need to work out his schedule, I want him to be in my movie. She calls a casting person and he's like, we don't have a Nic Cage in Rumble Fish. And uh, and then finally the guy goes, well we have a Nicolas Coppola.

00;09;56;00

Audience:

(laughter)

00;09;56;00 - 00;09;57;00

Shonali Bhowmik:

And she was like, what?

00;09;58;00

Audience:

(laughter)

00;09;58;00 - 00;10;33;00

Shonali Bhowmik:

And she goes, oh that's Francis’s nephew, you didn't know that? So that was the first time he had sent out Nic Cage to just try to avoid being known as Francis Ford Coppola's nephew and so he got cast without that being known. And this is the launchpad for his career. But this is such a sweet movie. Captures the 80’s, like, so beautifully. And the music, I think, the reason Modern English’s I Melt With You is a song we all know it’s because of this movie. She had no budget, she had $300,000 and they made $18 million off of this movie.

00;10;33;00

Audience:

Wow.

00;10;34;00 - 00;10;37;00

Shonali Bhowmik:

Ugh, the clothes, the music, young love, it's just like.

00;10;37;00 - 00;10;38;00

Audience:

Let’s we just watch it?

00;10;38;19 - 00;10;40;00

Shonali Bhowmik:

Yes, let's watch it!

00;10;40;00

Audience:

(laughter)

00;10;41;00

Shonali Bhowmik:

Let’s watch it…

00;10;41;00 - 00;10;50;00

Justin Joseph Hall (as narrator):

As we've been doing this, we are now on our 11th episode. And as we review the films beforehand, I've never seen a film with so much food in it.

00;10;51;00 - 00;10;56;00

Audience:

Did you watch the Valley Girl prepped with like a notepad and like, they take like food and snacks?

00;10;56;00

Shonali Bhowmik:

Yeah. 

00;10;56;00 - 10;57;00

Audience:

That's amazing you did that!

00;10;58;00

Audience:

It was like a very…

00;10;58;00 - 00;10;59;00

Audience:

If you watched it

00;10;59;00

Audience

No, I just guessed.

00;11;00;00 - 00;11;01;00

Audience:

Yeah, but you watched it.

00;11;01;00

Audience:

Like.

00;11;01;00

Audience:

(laughter)

00;11;03;10 - 00;11;15;00

Justin Joseph Hall (as narrator):

So, we have a ton of American food. Hot dogs, corn dogs, sushi with peanut butter, and we topped it all off with some prom punch in order to imbibe a little bit during the screening.

00;11;15;00 - 00;11;18;00

Shonali Bhowmik:

Even like the second round, I was like okay, that’s done, they’re done. And then you’re just like, wait…

00;11;19;00

Audience:

Yeah!

00;11;19;00 - 00;11;21;00

Audience:

I would never have noticed how much food they ate.

00;11;21;00

Audience:

(laughter)

00;11;22;00 - 00;11;23;00

Audience:

Right in front of me at the same time-

11;23;00

Shonali Bhowmik:

I’m probably… I noticed…

00;11;25;00

Shonali Bhowmik:

In movies…

00;11;26;00 - 00;11;28;00

Justin Joseph Hall (as narrator):

After, we talked a little bit more about Valley Girl. 

00;11;28;00 - 00;11;33;00

Shonali Bhowmik:

Guys, thank you for this. This was amazing to realize there was all this food in this…

00;11;33;00

Audience:

Yeah, guys…

00;11;34;00 - 00;11;35;00

Audience:

I’ve never seen it.

00;11;35;10 - 00;11;36;00

Shonali Bhowmik:

Can you take a picture of this?

00;11;37;00 - 00;11;38;00

Shonali Bhowmik:

And we ate the sushi!

00;11;38;00 - 00;11;39;00

Shonali Bhowmik:

That was so awesome.

00;11;40;00 - 00;11;42;00

Shonali Bhowmik:

And now we need to spike this.

00;11;42;00

Audience:

(chatter)

00;11;43;00

Audience:

(laughter)

00;11;48;00 - 00;11;50;00

Shonali Bhowmik:

It’s so dumb, it’s so great.

00;11;50;25 - 00;12;13;08

Justin Joseph Hall (as narrator):

So thanks again for listening to Feature & a short. If you want to attend or be a part of the podcast, please just go to our website and shoot us an email. Otherwise, follow us on social media and you can on any social media platform @fourwindfilms, that's at f-o-u-r-w-i-n-d-f-i-l-m-s. I'll talk to you soon. Peace!

Claudia de Candia: New York City Smells, Nights of Cabiria

Episode #10 - Italian-born Actress Claudia de Candia was the appointed contributor. Claudia de Candia is a theatre and film actress who will star in the upcoming short film, Prologue. She works in Milan and New York.

Our screening took place in Bushwick at Fourwind Films’ headquarters where for the first film, Claudia presented New York City Smells, an experimental short shot with an international cast and crew. Claudia shares her experience changing roles the day of the shoot and working with a director who does not speak her language. During this film, we served green apples just as Claudia’s character had in one of the first scenes of the film.

For the feature, Claudia presented The Nights of Cabiria (1957), a film by Federico Fellini, Italy’s most famous director and one of Claudia’s biggest influences. We discuss the work of Fellini and Italian actress Giulietta Masina, who married Fellini after starring in some of his radio plays, and continued to act in his films throughout her life. For this film, we had some rum and Coke, and some champagne. We also had some pasta and homemade red sauce, and some leftover stale bread that was fried and used for dipping.

Credits:

Host - Justin Joseph Hall

Location & Production Company - Fourwind Films

Claudia de Candia - Actress

Claudia de Candia - Actress

Transcript:

Justin Joseph Hall:

Hi, welcome to Feature & a short, a monthly screening hosted by Fourwind Films, where an appointed contributor presents a feature motion picture and a short movie. There's only one condition for screening a selection. The presenter must have been directly involved with one picture, but not the other. My name is Justin Joseph Hall, director and editor and owner at Fourwind Films.

00;00;23;22 - 00;00;37;03

And this week we have Claudia de Candia, an actress who lives here in New York City who has worked with us on the upcoming movie, Prologue, and she has decided to present The Smell of New York.

00;00;37;05 - 00;00;44;08

Claudia de Candia:

So um, myself, I'm Claudia. I am Italian, as you probably can hear (laughs). From, from Greenpoint, but Italian (laughs).

Audience:

(laughter)

00;00;47;01 - 00;01;09;23

Claudia de Candia:

And uh, I didn't speak a word of English two years ago and I did this short movie. After five months, I was here. It's just the first movie, short movie I did here in New York. Actually, the reason of speaking is just a, a, a voiceover in the whole movie or in the beginning. And it’s about New York. It's about a, a love story. Two girls, love story. The, the, the name of the movie, the title is New York Smells and it's like three different stories about New York City.

Audience:

Oh, cool!

1:23 - 1:33

Claudia de Candia:

And, and just in one story of the three stories.  I just saw it complete. It was in a festival in this village, it was, ah, in a movie theater there.

Audience:

Nice.

Claudia de Candia:

For a festival and I, I saw the first time there. And actually, it was the only time that I saw it (laughs).

Audience:

Oh really?

Clauda de Candia:

Yes.

Audience:

When did you shoot it?

Clauda de Candia:

November… 2016.

1:46 - 1:47

Audience:

Was that in one day shoot? 

Claudia de Candia:

Yeah, one day from the morning to the, to the night. Yeah.

Justin Joseph Hall:

Any places in New York where you shot where you hadn't been before you?

Claudia de Candia:

Yeah, like in Dumbo. I haven't, I mean at that time it was the first time I was in that area. And actually, there are some spots that I don't even know where was it. Because you know (laughs),

Audience:

(laughter)

Claudia de Candia:

when I, when I was shooting it was the first time for me going there and now I don't even realize. But yes, because we took a lot of Uber going around…

2:17 - 2:41

Justin Joseph Hall (as narrator):

Uh, in one of the first scenes, she eats some green apples. So we went and bought some, cut them up for everybody to enjoy during the film. This movie is available on Vimeo for free or you can buy it for, like, $99. Some unusual price. But anyway, after the screening of the film, we talked about Claudia's unique experience putting this film together, her preparation, and the people she shot the film with.

2:41 - 2:42

Justin Joseph Hall:

Yeah, do you just want to go through the story?

2:42 - 4:09

Claudia de Candia:

Yeah, okay (laughs). So uh, I was thinking for doing the, this short film on a backstage. You know, the website of casting. And so I didn't do a real audition for it. I, I knew a little bit about the plot but I didn't have any script. Nothing. So when I went there that morning, it was kind of weird because we met in front of a McDonald's.

We enter in the McDonald's and I met the other actresses for the first time. So we enter together in this McDonald's and we were supposed to change ourselves there and everything. So the director didn't speak a word of English because she's from China, I think. And she started to tell me that I wasn't supposed to do that part but the other one. So I was kind of confused because, of course, even if I didn't have a script, I was trying to imagine myself in a part. That morning she said, no, you're going to do the other one. I say, but you told me. Say, no, no, you’re going to… okay. 

So we went to the bathroom, we change, I, I don't even know who was the person who was helping us to change. And uh, so we say, okay, we started from the last scene. And I was like, uh okay, what's going on in the script though? Because I don't even know what, what's the story about, you know. They kind of explain it but it wasn't quite clear to me actually. So we started with this scene while I'm eating this apple and-

Daria Huxley:

(laughter)

Claudia de Candia:

I’m supposed to be (laughs)-

Daria Huxley:

(laughter) 

4:13 - 4:22

Claudia de Candia:

after the whole love story. And I was there, like, okay, just think something, you know? (laughs). Just (laughs)…

4:22

Audience:

Eat the apple.

4:22 - 4:28

Claudia de Candia:

(laughs) Just eating the apple and uh, think something, Claudia, think something doing it… (laughs).

Audience:

(laughter)

4:31 - 4:50

Claudia de Candia:

(laughs) So this is how it started. So it was pretty confusing. Like, I don't know if I was in Italy, probably I was getting mad for uh, this kind of, but then I have to say that I actually loved them. They were incredible. They have a beautiful energy. They were totally crazy (laughs).

Audience:

(laughter)

4:51 - 5:05

Claudia de Candia:

But I really enjoyed the time. And I say, okay, whatever, whatever is going to happen, I'm just going to have fun. And the best part was the voiceover which I actually didn’t understand what I’m saying so uh-

Audience:

(laughter)

5:05 - 5:15

Claudia de Candia:

(laughs) I’m sure that you didn’t as well (laughs). That’s, there is a reason why. At the end of the, we star… we finished uh shooting like at 8 p.m.

Audience:

Yeah. 

Claudia de Candia:

And they ask me, and I didn't know before, they ask me, oh okay, everyone goes home but you’re going to have a voiceover to record. But they didn't have a place to record it. So we tried to go in a bank. And it was, of course, not the right place to do it (laughs). So then in the street they found like a truck and they ask him if we could go into the truck to record.

Audience:

(laughter)

Claudia de Candia:

So this guy went out of the truck, we enter in the truck and I was just with another girl. And they send me the, the thing that I was supposed to say by text message. So I was reading that for the first time and even if I didn't speak English very well, I understood there were some grammar mistakes. So I was trying to, to (laughs)- Yes, to correct them (laughs). And I was speaking even worse than now so you can imagine (laughs). So that was crazy. And finally we, we, yeah it was kind of fine even though I’m telling again I don’t understand myself-

Audience:

(laughter)

Claudia de Candia:

like in a couple of words. To be honest, I thought it, it would be worse than this (laughs). So when I got like the email, they were doing it in the, in this film festival. I went to watch it and I, and I thought actually, the photography and it wasn't bad at all. I mean, it was just about try to find an intimacy with this girl. Um, as you can see at the beginning, I'm kind of the good girl, I would say, of someone that is very shy-

Audience:

Right.

Claudia de Candia:

She never experienced, like, going with another girl.

Audience:

Yeah.

Claudia de Candia:

And it's like there is this kind of transformation in the meeting. So the way I'm dressed, it’s a little bit different from the beginning. The end, uh, which is actually the first scene though.

Claudia de Candia:

Um, yeah.

7:21 - 7:24

Thomas Kelsey:

Yeah, it was just like watching for this, The Warmest Color, but it saved me three hours.

Audience:

(laughter)

Justin Joseph Hall (as narrator):

For her feature film, Claudia brought Le notti di Cabiria or The Nights of Cabiria, a Fellini film. Fellini is one of the directors that most inspires Claudia. During the film, we had some rum and Coke, some champagne. But she doesn’t have a lot of money in the film, Cabiria, the main character. So we had some pasta and some homemade red sauce and some leftover stale bread that was fried and used for dipping. Afterwards, we had a discussion on Fellini, what he meant, and the relationship between storytelling in other countries and storytelling in the U.S.

8:04 - 8:06

Justin Joseph Hall:

Who’s all seen this film here?

Audience:

What’s it called?

Justin Joseph Hall:

Uh, Nights of Cabiria.

Audience:

That sounds-

Justin Joseph Hall:

Le notti di Cabiria-

Audience:

familiar.

Audience:

Oh.

Justin Joseph Hall:

Yeah, yeah. It’s a Fellini film.

Audience:

What's-

Justin Joseph Hall:

So-

8:14 - 8:15

Audience:

What's the other one you did with that actress? 

Audience:

Uh…

Claudia de Candia:

Oh, many. Um, but the other one is ah…

8:20 - 8:21

Audience:

Juliet of the Spirits.

Claudia de Candia:

That one but another one where she’s like, working the circus, right?

Justin Joseph Hall:

Yeah, that’s-

Claudia de Candia:

That’s the one that you-

Justin Joseph Hall:

…La Strada.

Audience:

Las what?

Claudia de Candia:

La Strada.

Audience:

I, I think I saw Nights of Cabiria-

Audience:

La Strada.

Audience:

I don’t even…

Audience:

(chatter)

Audience:

Giulietta Masina was his wife.

Claudia de Candia:

Yeah.

Audience:

She was in a lot of his movies.

Audience:

Yeah.

Audience:

Oh.

Audience:

That’s…

Audience:

I think that's…

8:37 - 8:40

Audience:

That’s when you did 8 and a half spot, right? I mean…

Audience:

Yeah. I don’t, that’s one of the few she’s not in, I think.

Audience:

Yeah, she’s not in it-

Audience:

Yeah.

Audience:

but I think it’s about her.

Audience:

Yeah, oh yeah.

Claudia de Candia:

Which one?

8:47 - 8:48

Justin Joseph Hall:

8 ½.

Claudia de Candia:

The little blonde.

Audience:

So-

Claudia de Candia:

His wife, Giulietta Masina.

Audience:

Oh, okay. Got it.

Audience:

So why did you pick that movie?

Claudia de Candia:

When I was in high school, I had this, this friend and he was dreaming about being a director and I was dreaming about being an actress. And we were watching all Fellini's movies together. We were spending, like, nights talking about them and imagine, yeah, we were, we loved Roma, and, we wanted really to live in Rome, which I don't anymore but at that time (laughs), I really wanted to.

9:25

Audience:

Have you been you there yet?

Claudia:

Yes. My father is from Rome, so (laughs). Um, and so it really brings me one of my favorite movies of Fellini’s, the Interview, which almost nobody knows.

9:38

Justin Joseph Hall:

I don’t really know.

Claudia de Candia:

Yeah, because it's the last one. And, it's kind of weird but there is this scene between Marcello Mastroianni and Anita Ekberg. Like, they're old and they're watching the, La Dolce Vita that they-

9:53 - 9:54

Audience:

Oh really?

Claudia de Candia:

that they made years later.

Audience:

Yeah.

Claudia de Candia:

earlier. And for me, it’s one of the more touching scene ever in, in the movies. So I was listening all, all the time the, the song of it and also the little scene between the two of them, the little dialogue. And so for me, Fellini, it’s really something. I don't know. It's really, when I, I was dreaming to be in a movie. Yeah. 

10:20 - 10:33

??? is also one of my favorite, but actually, I also love Giulietta Masina and, uh, and she's pretty funny. And I love also, the fact that she’s touching and funny at the same time. Yeah.

10:33 - 10:34

Audience:

… watch?

10:35 - 10:42

Justin Joseph Hall:

I was like, with Fellini she said that movies; the movie’s done when the money runs out.

Audience:

(laughter)

10:48 - 10:50

Justin Joseph Hall:

I feel like all his movies feel like that (laughs) sometimes.

10:51 - 10:57

Justin Joseph Hall:

Especially that…, that one that, like, it just like goes, it goes, it goes, it goes. And then you’re in, yeah.

Audience:

(laughter)

10:57 - 10:59

Justin Joseph Hall:

It’s just like… randomly.

Claudia de Candia:

Yeah, but I think-

Audience:

I enjoyed…

11:01 - 11:21

Inga Moren:

There is an element of magic realism. I think, like, the way that you tell stories here in the United States is very different how we, we tell stories anywhere else. Like I think here at least in the, like the American system, there's a very, you know, it's like a, a three-act structure and everybody kind of follows that. Like, if they divert, they don’t divert much.

11:22 - 11:46 

European movies at least. You know in Italy, there is a lot or in other places it’s more, it's a very different way of telling a story. I can, like, see from a lot of these other movies like, there's like the magic realism happening and I'm kind of just following these characters, like, through their everyday, like, life without thinking too much why but it's more like an emotional journey for the audience, I think…

Justin Joseph Hall:

Well, thank you very much for listening to Feature & a short. This is the last of the season. We want to say thank you to everyone who helped out with the podcast this year. Brian Trahan, who makes the majority of the podcast. Daria Huxley, our photographer. And special thanks to our host, Thomas Kelsey. Next year, we'll do ten more episodes and choose a new theme song. In the meantime, please write us on social media @fourwindfilms, that’s f-o-u-r-w-i-n-d-f-i-l-m-s. Talk to you next year.